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Halfdan Kjerulf (1868)
By Bjørnstjerne Martinius Bjørnson
(See Note 35)
Winter had sought his life's tree to o'erthrow,
Youthful and strong. But his blood's vernal flow
Saved it from death through the cold and the maiming;
Late in the summer bright flowers were flaming,
Late in the autumn they swelled to completeness, -
Fruits that were few, but of fragrance and sweetness.
Poets received them to endless seed-sowing,
Where for his folk endless summer is glowing, -
While more and more,
Stricken he hung o'er the death-river's shore,
Fighting in weakness the winter abhorred,
Fighting for summer, the singer's reward,
Fighting while failing, with modesty rare,
Soon but in prayer.
Summer received him! He now is victorious!
Now, while they harvest the yellowing corn,
Now, while the hills hear the notes of the horn,
He enters glorious.
Mirrored in him is true poetry's force,
Marked by our winter, in summer its source.
E'en as the air with its quivering sheen,
Leaves of the forests and red peaks serene,
Waters that wander 'mid meadows delaying
Sound with the music the sunshine is playing, -
Poetry also shall leap with new life,
If it, though failing, is faithful in strife: -
Leap from death's thronging: -
Soon comes the summer with summer's pure longing.
Extra Info:
TRANSLATED FROM THE NORWEGIAN IN THE ORIGINAL METERS BY ARTHUR HUBBELL PALMER
Professor of the German Language and Literature In Yale University
Note 35.
HALFDAN KJERULF was born September 15, 1815, and died August 11,
1868. He early showed talent for music, and though he had to study
law from 1834 on, he yet studied and wrote music with a crushing
sense of lack of knowledge and opportunity. He was dangerously ill
in 1839, and always weak physically. His father died in 1840, and
Kjerulf then began to earn his living by music. A stipend received
in 1850 enabled him to go to Leipzig for a year. In 1851 he settled
in Christiania as a teacher of music, where for the rest of his life
his influence as a composer was most important. His compositions
are all of the lesser forms; his best work was done from 1860 to
1865. He was in general a pioneer of modern Norwegian music, and one
of the first to draw from the inexhaustible fountain of folk-music.
He wrote exquisite music for many songs of Welhaven, Wergeland, Moe,
Björnson, and others.
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