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Johan Ludvig Heiberg (1860)
By Bjørnstjerne Martinius Bjørnson
(See Note 7)
To the grave they bore him sleeping,
Him the aged, genial gardener;
Now the children gifts are heaping
From the flower-bed he made.
There the tree that he sat under,
And the garden gate is open,
While we cast a glance and wonder
Whether some one sits there still.
He is gone. A woman only
Wanders there with languid footsteps,
Clothed in black and now so lonely,
Where his laughter erst rang clear.
As a child when past it going,
Through the fence she looked with longing,
Now great tears so freely flowing
Are her thanks that she came in.
Fairy-tales and thoughts high-soaring
Whispered to him 'neath the foliage.
She flits softly, gathering, storing
Them as solace for her woe.
***
Far his wanderings once bore him,
Bore this aged, genial searcher;
One who listening sat before him
Much could learn from time to time.
Life and letters were his ladder
Up toward that which few discover,
Thought's wide realm, with vision gladder
He explored, each summit scaled.
In his manhood he defended
All that greatness has and beauty;
Later he the stars attended
In their silent course to God.
***
Older men remember rather
"New Year!" ringing o'er the Northland.
How it power had to gather
Leaders to a greater age
Do you him remember leaping
Forth, his horn so gladly winding,
Back the mob on all sides sweeping
From the progress of the great?
Play of thought 'mid tears and laughter,
Fauns and children were about him;
Freedom's beacons high thereafter
Kindled slowly of themselves.
And his words soon found a hearing,
Peace of heart flowed from his music;
All the land thrilled to the nearing
Of a great prophetic choir.
***
In his manhood he defended
All that greatness has and beauty;
Later he the stars attended
In their silent course to God.
Northern flowers were his pleasure,
As an aged genial gardener,
From his nation's springtime treasure
Culling seed for deathless growth.
Now with humor, now sedately,
He kept planting or uprooting,
While the Danish beech-tree stately
Gave his soul its evening peace.
There the tree we saw him under,
And the garden gate is open,
While we cast a glance and wonder
Whether some one sits there still.
Extra Info:
TRANSLATED FROM THE NORWEGIAN IN THE ORIGINAL METERS BY ARTHUR HUBBELL PALMER
Professor of the German Language and Literature In Yale University
Note 7.
JOHAN LUDVIG HEIBERG (December 14, 1791-August 25, 1860), the
leading Danish dramatist and critic of his time, an esthetic genius,
with, however, the stamp of the man of the world always on his life
and works. He early studied mathematics and natural science,
medicine and philology, Danish and foreign literature, and was also
very musical. He was uncertain whether to become a poet and esthetic
critic, a physician, or a natural scientist, or a surveyor, or - a
diplomat. From about 1824 he studied and adopted the Hegelian
philosophy, on which based his esthetics, and for which he was the
first spokesman in Denmark. In the years 1825 to 1836 he founded the
Danish vaudeville, in which his aim was to recreate the national
drama. His vaudeville was a lighter musical-dramatic genre,
a situation-play with loosely-sketched characters and the addition
of music to concentrate the mood. In it he sought a union with the
national comedy, and like Holberg to treat subjects from his own age
and land. From 1830 to 1836 Heiberg was professor of logic,
esthetics, and Danish literature in the Military School. From 1839
on, censor of the Royal Theater, of which he was director from 1849
to 1856, without great success because of circumstances beyond his
control. In the year 1840 he began to deeply interested in the study
of acoustics, optics, and astronomy, and soon fitted up a small
astronomical observatory at his residence; he published an
astronomical manual, 1844-46. In 1831 Heiberg married Johanne Louise
Pätges (1812-1890). The daughter of poor parents, she became a pupil
of the dancing-school of the Royal Theater in 1820, but went over to
the drama in 1826. Wonderfully gifted, she developed rapidly and
became Denmark's greatest actress. Her last appearance on the
stage was in 1864. She favored the performance of Björnson's and
Ibsen's earlier dramas on the stage in Copenhagen, with management
of which she had official connection from 1867 to 1874.
"New Year" ringing o'er the Northland. Shortly before Christmas,
1816, Heiberg published his polemical romantic comedy Yule Jests and
New Year's Jokes, a brilliant revelation of his superiority as a wit
and a satirist. Attacking the excessive sentimentality of Danish
literature and taste at that time, it made a sensation and led to
the improvement of both.
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