Public Domain Poetry And Stories - Ad Rosam. by Henry Austin Dobson
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Ad Rosam.

    By Henry Austin Dobson



    "Mitte sectari ROSA quo locorum
    Sera moretur."
    --Hor. i. 38.


    I had a vacant dwelling--
    Where situated, I,
    As naught can serve the telling,
    Decline to specify;--
    Enough 'twas neither haunted,
    Entailed, nor out of date;
    I put up "Tenant Wanted,"
    And left the rest to Fate.

    Then, Rose, you passed the window,--
    I see you passing yet,--
    Ah, what could I within do,
    When, Rose, our glances met!
    You snared me, Rose, with ribbons,
    Your rose-mouth made me thrall,
    Brief--briefer far than Gibbon's,
    Was my "Decline and Fall."

    I heard the summons spoken
    That all hear--king and clown:
    You smiled--the ice was broken;
    You stopped--the bill was down.
    How blind we are! It never
    Occurred to me to seek
    If you had come for ever,
    Or only for a week.

    The words your voice neglected,
    Seemed written in your eyes;
    The thought your heart protected,
    Your cheek told, missal-wise;--
    I read the rubric plainly
    As any Expert could;
    In short, we dreamed,--insanely,
    As only lovers should.

    I broke the tall Oenone,
    That then my chambers graced,
    Because she seemed "too bony,"
    To suit your purist taste;
    And you, without vexation,
    May certainly confess
    Some graceful approbation,
    Designed à mon adresse.

    You liked me then, carina,--
    You liked me then, I think;
    For your sake gall had been a
    Mere tonic-cup to drink;
    For your sake, bonds were trivial,
    The rack, a tour-de-force;
    And banishment, convivial,--
    You coming too, of course.

    Then, Rose, a word in jest meant
    Would throw you in a state
    That no well-timed investment
    Could quite alleviate;
    Beyond a Paris trousseau
    You prized my smile, I know,
    I, yours--ah, more than Rousseau
    The lip of d'Houdetot.

    Then, Rose,--But why pursue it?
    When Fate begins to frown
    Best write the final "fuit,"
    And gulp the physic down.
    And yet,--and yet, that only,
    The song should end with this:--
    You left me,--left me lonely,
    Rosa mutabilis!

    Left me, with Time for Mentor,
    (A dreary tête-à-tête!)
    To pen my "Last Lament," or
    Extemporize to Fate,
    In blankest verse disclosing
    My bitterness of mind,--
    Which is, I learn, composing
    In cases of the kind.

    No, Rose. Though you refuse me,
    Culture the pang prevents;
    "I am not made"--excuse me--
    "Of so slight elements;"
    I leave to common lovers
    The hemlock or the hood;
    My rarer soul recovers
    In dreams of public good.

    The Roses of this nation--
    Or so I understand
    From careful computation--
    Exceed the gross demand;
    And, therefore, in civility
    To maids that can't be matched,
    No man of sensibility
    Should linger unattached.

    So, without further fashion--
    A modern Curtius,
    Plunging, from pure compassion,
    To aid the overplus,--
    I sit down, sad--not daunted,
    And, in my weeds, begin
    A new card--"Tenant Wanted;
    Particulars within."



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