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Sonnets - Elizabeth Barrett Browning
By Henry Kendall
A lofty Type of all her sex, I ween,
My English brothers, though your wayward race
Now slight the Soul that never wore a screen,
And loved too well to keep her noble place!
Ah, bravest Woman that our World hath seen
(A light in spaces wild and tempest-tost),
In every verse of thine, behold, we trace
The full reflection of an earnest face
And hear the scrawling of an eager pen!
O sisters! knowing what you’ve loved and lost,
I ask where shall we find its like, and when?
That dear heart with its passion sorrow-crost,
And pathos rippling, like a brook in June
Amongst the roses of a windless noon.
Extra Info:
Let me here endeavour to draw the fair distinctions between the great writers, or some of the great writers, of Scott’s day; borrowing at the same time a later name. I shall start with that strange figure, Percy Bysshe Shelley. He was too subjective to be merely a descriptive poet, too metaphysical to be vague, and too imaginative to be didactic. As Scott was the most dramatic, Wordsworth the most profound, Byron the most passionate, so Shelley was the most spiritual writer of his time. Scott’s poetry was the result of vivid emotion, Wordsworth’s of quiet observation, Byron’s of passion, and Shelley’s of passion and reflection. Scott races like a torrent, Byron rolls like a sea, Wordsworth ripples into a lake, Tennyson flows like a river, and Shelley gushes like a fountain. As Tennyson is the most harmonious, so Shelley is the most musical of modern bards. I fear to touch upon that grand old man, Coleridge; he appears to me so utterly apart from his contemporaries. He stands, like Teneriffe, alone. Can I liken him to a magnificent thunder-scorched crag with its summits eternally veiled in vapour? - H.K.
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