Public Domain Poetry And Stories - Floretty's Musical Contribution by James Whitcomb Riley
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Floretty's Musical Contribution

    By James Whitcomb Riley



    All seemed delighted, though the elders more,
    Of course, than were the children. - Thus, before
    Much interchange of mirthful compliment,
    The story-teller said his stories "went"
    (Like a bad candle) best when they went out, -
    And that some sprightly music, dashed about,
    Would wholly quench his "glimmer," and inspire
    Far brighter lights.

        And, answering this desire,
    The flutist opened, in a rapturous strain
    Of rippling notes - a perfect April-rain
    Of melody that drenched the senses through; -
    Then - gentler - gentler - as the dusk sheds dew,
    It fell, by velvety, staccatoed halts,
    Swooning away in old "Von Weber's Waltz."
    Then the young ladies sang "Isle of the Sea" -
    In ebb and flow and wave so billowy, -
    Only with quavering breath and folded eyes
    The listeners heard, buoyed on the fall and rise
    Of its insistent and exceeding stress
    Of sweetness and ecstatic tenderness ...
    With lifted finger yet, Remembrance - List! -
    "Beautiful isle of the sea!" wells in a mist
    Of tremulous ...

        ... After much whispering
    Among the children, Alex came to bring
    Some kind of letter - as it seemed to be -
    To Cousin Rufus. This he carelessly
    Unfolded - reading to himself alone, -
    But, since its contents became, later, known,
    And no one "plagued so awful bad," the same
    May here be given - of course without full name,
    Fac-simile, or written kink or curl
    Or clue. It read: -

                "Wild Roved an indian Girl
            Brite al Floretty"
            deer freind
                I now take
    *this* These means to send that Song to you & make
    my Promus good to you in the Regards
    Of doing What i Promust afterwards,
    the notes & Words is both here Printed SOS
    you *kin* can git uncle Mart to read you *them* those
    & cousin Rufus you can git to Play
    the notes fur you on eny Plezunt day
    His Legul Work aint *Pressin* Pressing.
        Ever thine
            As shore as the Vine
            doth the Stump intwine
            thou art my Lump of Sackkerrine
                Rinaldo Rinaldine
                the Pirut in Captivity.

        ... There dropped
    Another square scrap. - But the hand was stopped
    That reached for it - Floretty suddenly
    Had set a firm foot on her property -
    Thinking it was the letter, not the song, -
    But blushing to discover she was wrong,
    When, with all gravity of face and air,
    Her precious letter handed to her there
    By Cousin Rufus left her even more
    In apprehension than she was before.
    But, testing his unwavering, kindly eye,
    She seemed to put her last suspicion by,
    And, in exchange, handed the song to him. -

    A page torn from a song-book: Small and dim
    Both notes and words were - but as plain as day
    They seemed to him, as he began to play -
    And plain to all the singers, - as he ran
    An airy, warbling prelude, then began
    Singing and swinging in so blithe a strain,
    That every voice rang in the old refrain:
    From the beginning of the song, clean through,
    Floretty's features were a study to
    The flutist who "read notes" so readily,
    Yet read so little of the mystery
    Of that face of the girl's. - Indeed one thing
    Bewildered him quite into worrying,
    And that was, noticing, throughout it all,
    The Hired Man shrinking closer to the wall,
    She ever backing toward him through the throng
    Of barricading children - till the song
    Was ended, and at last he saw her near
    Enough to reach and take him by the ear
    And pinch it just a pang's worth of her ire
    And leave it burning like a coal of fire.
    He noticed, too, in subtle pantomime
    She seemed to dust him off, from time to time;
    And when somebody, later, asked if she
    Had never heard the song before - "What! me?"
    She said - then blushed again and smiled, -
    "I've knowed that song sence Adam was a child! -
    It's jes a joke o' this-here man's. - He's learned
    To read and write a little, and its turned
    His fool-head some - That's all!"

        And then some one
    Of the loud-wrangling boys said - "Course they's none
    No more, these days! - They's Fairies ust to be,
    But they're all dead, a hunderd years!" said he.

    "Well, there's where you're mustakened!" - in reply
    They heard Bud's voice, pitched sharp and thin and high. -

    "An' how you goin' to prove it!"

        "Well, I kin!"
    Said Bud, with emphasis, - "They's one lives in
    Our garden - and I see 'im wunst, wiv my
    Own eyes - one time I did."

        "Oh, what a lie!"
    - "'Sh!'"

        "Well, nen," said the skeptic - seeing there
    The older folks attracted - "Tell us where
    You saw him, an' all 'bout him!'

        "Yes, my son. -
    If you tell 'stories,' you may tell us one,"
    The smiling father said, while Uncle Mart,
    Behind him, winked at Bud, and pulled apart
    His nose and chin with comical grimace -
    Then sighed aloud, with sanctimonious face, -
            "'How good and comely it is to see
            Children and parents in friendship agree!
' -
    You fire away, Bud, on your Fairy-tale -
    Your Uncle's here to back you!"

        Somewhat pale,
    And breathless as to speech, the little man
    Gathered himself. And thus his story ran.



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