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Pastiche
By Paul Cameron Brown
These shell-queens, too,
are blithely catpaws,
shorn & musky acorns with
indexed fingers erect
at manicured attention.
II
... Showboats with green faces far as swallows fly,
a lilac in oasis ... scarlet bream
... blue ointment where the ocean is
periwinkle patches,
a robin's egg clarity pressed
between blue-nosed tavern wall
& bottles clinking.
III
See plush cords,
the suede interior
svelte & slinky
an upholstery simonized
with natural springs where
bubbles encounter founts
in apertures, the rich measure
of open ground or mezzanine curtain
slit along a riverine walk
& jungle clearing.
IV
Twilight. Golden tulip. Golden olive,
"Fool's Gold", a lithesome snake-girl
gyrates her dragon-flared, limb-length
tattoo with red-eye dots itching in
emerald waiting; footpaths overhanging
serpentine curves or laser beam
dancer legs, paddle white, under angel
tint of stage-light.
V
The cut off jeans
compete with campfire glow ...
slipping a musket-width, nostril breadth
around turbans, bonnets, bubbles. Murex.
VI
... Elegant white ibises and egrets
stand like sentinels; herons flying in
their wide wings braking and their long
legs dragging ... and the snaky-necked
anhingas flapping and sailing into
spread their big wings
to dry in the sun.
Sa nom m'etruit
Her NAME escapes me
Nomen fuit
Just the faintest hint of spring
UU
MM
MOTHER of PEARL
with ODALISQUE.
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